{"id":8506,"date":"2020-01-16T14:47:42","date_gmt":"2020-01-16T14:47:42","guid":{"rendered":"https:\/\/revistaidees.cat\/media\/fem-creadores-feministes-davui\/"},"modified":"2020-02-27T08:59:02","modified_gmt":"2020-02-27T08:59:02","slug":"fem-creadores-feministes-davui","status":"publish","type":"media_post","link":"https:\/\/revistaidees.cat\/en\/media\/fem-creadores-feministes-davui\/","title":{"rendered":"FEM! Today&#8217;s feminist artists"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">What imageries are currently proposing feminist artists? What challenges and opportunities does feminism propose from the cultural world? On October 31st, 2019, the magazine IDEES and the CCCB organized an artistic event that gathered around twenty leading artitsts in the CCCB&#8217;s lobby space, in front of a packed crowd. Poetry, dance, music, monologues, humour and even graffiti and live painting took the stage to celebrate and to claim creativity. The event, curated by N\u00faria Verg\u00e9s and Mireia Calafell, was the first activity of the #47 issue of the magazine IDEES, dedicated to feminisms. At the same time, it was part of the cycle &#8220;The words we are still lacking&#8221;, included in the CCCB\u2019s exhibition and program of activities about feminisms.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Presentation of IDEES 47<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The evening started with <em>Las Glorias cabareteras<\/em>, a comic duet formed by Gl\u00f2ria Mart\u00ednez and Marta Bernal, which combines classic cabaret features with some \u2018trashy\u2019 look. With humour and irreverence, as well as an unmistakable style, they were in charge for conducting the show. Next, it was the turn of the coordinators of N\u00faria Verg\u00e9s and Mireia Calafell, to present the project and to introduce the authors and articles included in IDEES #47 issue.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores.jpg?resize=768%2C512&#038;ssl=1\" alt=\"\" class=\"wp-image-3797\" width=\"768\" height=\"512\" srcset=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=2000%2C1333&amp;ssl=1 2000w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=1200%2C800&amp;ssl=1 1200w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/coordinadores-scaled.jpg?resize=767%2C511&amp;ssl=1 767w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption> N\u00faria\u00a0Verg\u00e9s\u00a0and Mireia\u00a0Calafell, coordinators of the IDEES magazine 47\u00a0issue, presented the project at the beginning of the\u00a0show <\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The first of the artists to go on stage was the photographer Mar C. Llop, who spoke about her personal experience as a transgender woman and stressed the transition process she carried on. At the same time, she explained with images some of her photographic projects, in which she portrays transgender people. It was then the turn of the poets Maria Sevilla Paris, Miriam Reyes and Maria Isern, who recited several poems in a choral way. Their performance caused long applause from the audience. During the breaks between the performances, <em>DJ Sonido Tupinamba<\/em> livened the wait with her music that you can find in the Spotify playlist below. The selection includes music from different decades, countries and cultures, with a common denominator: the songs have been written or performed by women and\/or people gender dissident people.<\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: FEM! \" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/37yrBMlW22MsitrdBCqrwB?si=g4KRisnxREus4XgmeP-hNw&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">With her powerful voice, Marga Mbande was the first vocalist to step onto the stage, and she performed two highly acclaimed songs. Mbande also took advantage of her appareance to vindicate the diversity and the mainstreaming of disciplines produced by feminist artists. Afterwards, it was the turn of the visual artist Yolanda Dom\u00ednguez, who intervened through a video because of a last-minute setback. Dominguez reported and criticized the online violence against women in the digital sphere, and reviewed some of the abuses she suffers on a daily basis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Throughout the evening, there was also space for visual arts and painting. While the artists went through on the stage, the illustrators Andrea Btoy and Bianca Batlle Nguema were painting live with different techniques. The result were two portraits that garnished the left side of the stage during the show and at the end.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489.jpg?resize=768%2C512&#038;ssl=1\" alt=\"\" class=\"wp-image-3788\" width=\"768\" height=\"512\" srcset=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=2000%2C1333&amp;ssl=1 2000w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=1200%2C800&amp;ssl=1 1200w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/IMG_0489-scaled.jpg?resize=767%2C511&amp;ssl=1 767w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption> Andrea&nbsp;Btoy&nbsp;and&nbsp;Bianca Batlle Nguema painted live these two portraits <\/figcaption><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">What does it mean to be subversive?<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">However, if there was a performance that broke preconceptions down, it was that of Agn\u00e9s  Mateus  and  Lali  \u00c1lvarez. Through a set of questions made to themselves and also to the audience \u2013&#8221;Who distributes feminist licenses?&#8221;, &#8220;Feminist creation must be an anticapitalist creation?&#8221;, &#8220;Does non-subversive feminism exist?&#8221;\u2013 they both reflected on what does it mean to be subversive as well as the need of being it. Afterwards it was time for the special and &#8216;mysterious&#8217; performance of N\u00faria Guiu and Sonia G\u00f3mez, who surprised everyone.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the last part of the evening, Mar\u00eda Ca\u00f1as came on stage providing the touch of humor and making the audience laugh with her videos. She left the floor to actress Silvia Albert  Sopale, who performed along with part of the cast a piece of her play is No country for Black Women. The phrase &#8220;The Virgin cannot be black&#8221; resounded with force in a moving staging that made everyone reflect on what does it mean being woman and of African descent  in our country.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale.jpg?resize=768%2C512&#038;ssl=1\" alt=\"\" class=\"wp-image-3800\" width=\"768\" height=\"512\" srcset=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=2000%2C1333&amp;ssl=1 2000w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=1200%2C800&amp;ssl=1 1200w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/01\/silvia-albert-sopale-scaled.jpg?resize=767%2C511&amp;ssl=1 767w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption> Actress Silvia Albert&nbsp;Sopale&nbsp;staged&nbsp;a moving performance&nbsp;to&nbsp;think about&nbsp;what&nbsp;does it&nbsp;mean to&nbsp;be&nbsp;an&nbsp;Afro-descendent woman<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The graphic illustrator and cartoonist, Flavita Banana, was the last artist to appear on stage and surprisingly she did not draw but chose to read a text about the process of depression and personal improvement she went through a few years ago. The text, sincere and moving, has been published, along with other texts, in the book  <em>Tsunami. Miradas feministas<\/em> (Sexto  Piso, 2019).<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Maria Arnal closes the show<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The singer Mar\u00eda Arnal starred the end of the show with a performance in which she wanted to innovate by using several interviews\u2019 cuts of feminist voices who had moved, surprised and challenged her. Arnal thanked these voices \u201cfor daring to speak.&#8221; From this point, as she explained, she processed the stuff and created a composition that served as a rhythmic base for her performance. The singer and songwriter used the voices of Donna Haraway, Paul B. Preciado,  Bjork, Marina Garc\u00e9s,  Christina  Rosenvinge, Helen  Hester, Gata  Cattana,  Ursula  K. Le  Guin  and Silvia Federici, among others.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arnal explained that &#8220;the idea was to work with these voices in the way I work with mine; that is to say, at the same time as a channel and as a message, form and content, an instrument, as some sort of internal scheming, for a hasty, disrupted, endless dialogue between all these voices&#8221;. The artist finished her performance by saying: &#8220;We see the songs once they are done, but this experience aimed to invite the audience to reach a more invisible space: the internal kitchen where a process is shared. Later on I sang over this words a few couplets I wrote from my own experiences that feminism helped me to see from a different perspective&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def.jpg?resize=1024%2C724&#038;ssl=1\" alt=\"\" class=\"wp-image-8115\" srcset=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=1024%2C724&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=768%2C543&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=1536%2C1086&amp;ssl=1 1536w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=2048%2C1448&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=2000%2C1414&amp;ssl=1 2000w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=1200%2C849&amp;ssl=1 1200w, https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/img_FEM_cartell_def-scaled.jpg?resize=767%2C542&amp;ssl=1 767w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>What imageries are currently proposing feminist artists? What challenges and opportunities does feminism propose from the cultural world? On October 31st, 2019, the magazine IDEES and the CCCB organized an artistic event that gathered around twenty leading artitsts in the CCCB&#8217;s lobby space, in front of a packed crowd. Poetry, dance, music, monologues, humour and even graffiti and live painting took the stage to celebrate and to claim creativity. The event, curated by N\u00faria Verg\u00e9s and Mireia Calafell, was the first activity of the #47 issue of the magazine IDEES, dedicated to feminisms. At the same time, it was part\u2026<\/p>\n","protected":false},"featured_media":3884,"parent":0,"menu_order":0,"template":"","format":"video","type_m":[],"segment":[],"subject":[],"class_list":["post-8506","media_post","type-media_post","status-publish","format-video","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FEM! Today&#039;s feminist artists &#8211; IDEES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistaidees.cat\/en\/media\/fem-creadores-feministes-davui\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FEM! 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