{"id":10548,"date":"2020-01-22T17:19:39","date_gmt":"2020-01-22T17:19:39","guid":{"rendered":"https:\/\/revistaidees.cat\/maria-sevilla-indecent-la-manera-com\/"},"modified":"2020-03-06T14:18:39","modified_gmt":"2020-03-06T14:18:39","slug":"maria-sevilla-indecent-la-manera-com","status":"publish","type":"post","link":"https:\/\/revistaidees.cat\/en\/maria-sevilla-indecent-la-manera-com\/","title":{"rendered":"Maria Sevilla: Articulation of dissidence"},"content":{"rendered":"\n<p>&#8220;The (impossible) articulation of dissidence: I think that is the challenge \u2013whether in making somatic utterances or in making verbal utterances\u2013 both for feminism(s) and for the language of poetry. The texts that follow, therefore, are just an attempt (doomed to fail) to capture in writing this sort of limiting instability: always elusive and capricious&#8221;.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><br>Land Breeze<\/h5>\n\n\n\n<pre class=\"wp-block-verse\">Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0<br>begging. A\u00a0swig.\u00a0If\u00a0they\u00a0don\u2019t\u00a0dry\u00a0the\u00a0sidewalk.\u00a0<br>Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0feel\u00a0that\u00a0I\u2019m\u00a0not\u00a0me\u00a0<br>ever\u00a0again. As\u00a0though\u00a0you\u00a0and\u00a0your\u00a0shadow, and\u00a0dry\u00a0mouth.\u00a0<br>Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0piss\u00a0on\u00a0tiptoes\u00a0<br>in\u00a0the\u00a0toilet.\u00a0It\u00a0splashes\u00a0me. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck. I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry.\u00a0<br>Dawn\u00a0won\u2019t\u00a0arrive\u2026\u00a0It\u00a0won\u2019t\u00a0if\u00a0I\u00a0don\u2019t\u00a0urinate\u00a0<br>and\u00a0if\u00a0I\u2019m\u00a0not\u00a0your\u00a0whore,\u00a0dry\u00a0mouth. And I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry\u2026\u00a0<br>and I\u00a0don\u2019t\u00a0wash\u00a0myself. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck.\u00a0Sidewalks\u00a0clean\u00a0themselves\u00a0<br>with\u00a0the\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside\u00a0and\u00a0dehydrates.\u00a0It\u00a0dehydrates\u00a0me\u00a0<br>(rancid\u00a0mouth.\u00a0The\u00a0hangover.\u00a0That\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside.\u00a0<br>Arc\u00a0del\u00a0teatre, de\u00a0l\u2019Est,\u00a0Nou\u00a0de la\u00a0Rambla,\u00a0the\u00a0icy\u00a0dust\u00a0cloud.)\u00a0\u00a0<br>And\u00a0the\u00a0footpaths,\u00a0drying.\u00a0And\u00a0the\u00a0alcoholic\u00a0dysphagia\u00a0\u00a0<br>of a\u00a0whore.\u00a0It\u2019s\u00a0me.\u00a0<br>                                                                 Who\u00a0knows\u00a0that\u00a0<br>dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0she\u00a0doesn\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0<br>begging. A\u00a0swig.\u00a0Or\u00a0begging\u00a0to be\u00a0the\u00a0meat\u00a0<br>of\u00a0your\u00a0shadow.\u00a0Begging.\u00a0Just\u00a0a\u00a0gesture\u00a0from\u00a0you\u00a0<br>sliding\u00a0on\u00a0an\u00a0ice cube\u00a0or\u00a0a\u00a0rancid\u00a0whisky\u00a0<br>in a\u00a0tube\u00a0glass\u00a0on\u00a0the\u00a0sidewalk.\u00a0Abandoned.\u00a0<br>As\u00a0though\u00a0never, as\u00a0if\u00a0it\u00a0didn\u2019t\u00a0exist.\u00a0Drying\u00a0out\u00a0<br>with\u00a0the\u00a0piss\u00a0that\u00a0reaches\u00a0from\u00a0that\u00a0corner\u00a0<br>where\u00a0there\u00a0are\u00a0twenty\u00a0cents.\u00a0Rejected.\u00a0<br>No\u00a0one\u00a0picks\u00a0them\u00a0up.<br><br><br>The original poem in Catalan was published at <em>Dents de polpa<\/em>, AdiA Edicions, 2015. <br><br><br><br><\/pre>\n\n\n\n<h5 class=\"wp-block-heading\"><br>Crip&nbsp;is sexy<\/h5>\n\n\n\n<pre class=\"wp-block-verse\">I\u00a0don\u2019t\u00a0have\u00a0words\u00a0to describe\u00a0<br>the\u00a0violence\u00a0of a\u00a0body\u00a0so\u00a0naked\u00a0<br>under\u00a0clothes. I imagine\u00a0<br>Frida Kahlo and Carol Rama:\u00a0<br>penetrating\u00a0one\u00a0another.\u00a0The\u00a0beauty\u00a0<br>of a\u00a0pneumatic\u00a0erection,\u00a0<br>orthopaedic,\u00a0ripping\u00a0you\u00a0<br>the\u00a0shit\u00a0between\u00a0the\u00a0buttocks:\u00a0<br>shit\u00a0to\u00a0have\u00a0a\u00a0name,\u00a0<br>shit\u00a0to\u00a0have\u00a0skin,\u00a0<br>shit\u00a0of a\u00a0womb\u00a0tied\u00a0in\u00a0knots\u00a0<br>with\u00a0all\u00a0the\u00a0kids\u00a0you\u00a0won\u2019t\u00a0have.\u00a0<br>But\u00a0I\u00a0<br>don\u2019t\u00a0have\u00a0words\u00a0to\u00a0tell\u00a0myself\u00a0<br>the\u00a0embarrassment\u00a0of a\u00a0body\u00a0so\u00a0naked\u00a0<br>under\u00a0clothes\u00a0and I\u00a0only\u00a0know\u00a0<br>to look at\u00a0it\u00a0through\u00a0the\u00a0key\u00a0hole.\u00a0<br>I imagine\u00a0your\u00a0presence\u00a0<br>piercing me.\u00a0The\u00a0beauty\u00a0<br>of a\u00a0pneumatic\u00a0erection,\u00a0<br>orthopaedic,\u00a0ripping\u00a0me\u00a0<br>the\u00a0shit\u00a0between\u00a0the\u00a0buttocks:\u00a0<br>shit\u00a0to\u00a0have\u00a0a\u00a0name,\u00a0<br>shit\u00a0to\u00a0have\u00a0skin,\u00a0<br>shit\u00a0of a\u00a0womb\u00a0tied\u00a0in\u00a0knots\u00a0<br>with\u00a0all\u00a0the\u00a0kids\u00a0I\u00a0won\u2019t\u00a0have.\u00a0<br>Because\u00a0I\u00a0<br>don\u2019t\u00a0have\u00a0words\u00a0to describe\u00a0<br>the\u00a0horror of\u00a0being\u00a0my\u00a0own\u00a0police\u00a0<br>inside\u00a0clothe<br><br><br>The original poem in Catalan was published at <em>Kal\u00e0ixnikov<\/em>, M\u00f3n de Llibres, 2017.<br><br><br><br><\/pre>\n\n\n\n<h5 class=\"wp-block-heading\"><br>Exorcism<\/h5>\n\n\n\n<pre class=\"wp-block-verse\">The\u00a0womb\u00a0was\u00a0ripped\u00a0from\u00a0me as\u00a0if\u00a0aborting,\u00a0<br>unchained,\u00a0the\u00a0concave\u00a0promise\u00a0bonding.\u00a0<br>The\u00a0dilapidated\u00a0ellipse\u00a0from\u00a0some\u00a0fugitive\u00a0hollow\u00a0hands\u00a0<br>was\u00a0collapsed\u00a0in me,\u00a0regurgitated.\u00a0<br>The\u00a0offering\u00a0was\u00a0crumbled,\u00a0the\u00a0verb\u00a0was\u00a0denied\u00a0and\u00a0<br>the\u00a0poured\u00a0amniotic\u00a0promises\u00a0were\u00a0broken\u00a0away\u00a0<br>                            -\u00a0turning\u00a0arc\u00a0the\u00a0curve of\u00a0hysteria.\u00a0<br>The\u00a0womb\u00a0was\u00a0unlocked\u00a0from\u00a0me as\u00a0if\u00a0aborting,\u00a0<br>wretched,\u00a0the\u00a0concave\u00a0promise\u00a0was\u00a0withdrawing.\u00a0<br>The\u00a0precise\u00a0rotation\u00a0axis\u00a0was\u00a0broken\u00a0from\u00a0me,\u00a0<br>the\u00a0skeleton\u00a0was\u00a0dislocated\u00a0from\u00a0me at\u00a0the\u00a0vanishing\u00a0point,\u00a0<br>the\u00a0horizontal line\u00a0was\u00a0shaken\u00a0and\u00a0<br>pulled\u00a0me\u00a0from\u00a0the\u00a0threads\u00a0called\u00a0dementia\u00a0<br>                            -\u00a0turning\u00a0arc\u00a0the\u00a0curve of\u00a0hysteria.\u00a0<br>The\u00a0womb\u00a0was\u00a0ripped\u00a0from\u00a0me as\u00a0if\u00a0aborting,\u00a0<br>discounted,\u00a0the\u00a0concave\u00a0promise\u00a0returning\u00a0to me.\u00a0<br>The\u00a0flowering\u00a0within\u00a0my\u00a0belly\u00a0was\u00a0dismembered,\u00a0<br>the\u00a0margins\u00a0were\u00a0fugitively\u00a0cleared.\u00a0<br>The\u00a0flight\u00a0was\u00a0strangled,\u00a0the\u00a0vertical\u00a0was\u00a0flapped\u00a0and\u00a0<br>the\u00a0precipice\u00a0of\u00a0insanity\u00a0was\u00a0broken\u00a0open\u00a0<br>                          -\u00a0turning\u00a0arc\u00a0the\u00a0curve of\u00a0hysteria.\u00a0<br>\u00a0<br><br>The original poem in Catalan was published at <em>Kal\u00e0ixnikov<\/em>, M\u00f3n de Llibres, 2017.<br><\/pre>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The (impossible) articulation of dissidence: I think that is the challenge \u2013whether in making somatic utterances or in making verbal utterances\u2013 both for feminism(s) and for the language of poetry. The texts that follow, therefore, are just an attempt (doomed to fail) to capture in writing this sort of limiting instability: always elusive and capricious&#8221;. Land Breeze Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0begging. A\u00a0swig.\u00a0If\u00a0they\u00a0don\u2019t\u00a0dry\u00a0the\u00a0sidewalk.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0feel\u00a0that\u00a0I\u2019m\u00a0not\u00a0me\u00a0ever\u00a0again. As\u00a0though\u00a0you\u00a0and\u00a0your\u00a0shadow, and\u00a0dry\u00a0mouth.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0piss\u00a0on\u00a0tiptoes\u00a0in\u00a0the\u00a0toilet.\u00a0It\u00a0splashes\u00a0me. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck. I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u2026\u00a0It\u00a0won\u2019t\u00a0if\u00a0I\u00a0don\u2019t\u00a0urinate\u00a0and\u00a0if\u00a0I\u2019m\u00a0not\u00a0your\u00a0whore,\u00a0dry\u00a0mouth. And I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry\u2026\u00a0and I\u00a0don\u2019t\u00a0wash\u00a0myself. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck.\u00a0Sidewalks\u00a0clean\u00a0themselves\u00a0with\u00a0the\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside\u00a0and\u00a0dehydrates.\u00a0It\u00a0dehydrates\u00a0me\u00a0(rancid\u00a0mouth.\u00a0The\u00a0hangover.\u00a0That\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside.\u00a0Arc\u00a0del\u00a0teatre, de\u00a0l\u2019Est,\u00a0Nou\u00a0de la\u00a0Rambla,\u00a0the\u00a0icy\u00a0dust\u00a0cloud.)\u00a0\u00a0And\u00a0the\u00a0footpaths,\u00a0drying.\u00a0And\u00a0the\u00a0alcoholic\u00a0dysphagia\u00a0\u00a0of a\u00a0whore.\u00a0It\u2019s\u00a0me.\u00a0 Who\u00a0knows\u00a0that\u00a0dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0she\u00a0doesn\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0begging. A\u00a0swig.\u00a0Or\u00a0begging\u00a0to be\u00a0the\u00a0meat\u00a0of\u00a0your\u00a0shadow.\u00a0Begging.\u00a0Just\u00a0a\u00a0gesture\u00a0from\u00a0you\u00a0sliding\u00a0on\u00a0an\u00a0ice cube\u00a0or\u00a0a\u00a0rancid\u00a0whisky\u00a0in a\u00a0tube\u00a0glass\u00a0on\u00a0the\u00a0sidewalk.\u00a0Abandoned.\u00a0As\u00a0though\u00a0never, as\u00a0if\u00a0it\u00a0didn\u2019t\u00a0exist.\u00a0Drying\u00a0out\u00a0with\u00a0the\u00a0piss\u00a0that\u00a0reaches\u00a0from\u00a0that\u00a0corner\u00a0where\u00a0there\u00a0are\u00a0twenty\u00a0cents.\u00a0Rejected.\u00a0No\u00a0one\u00a0picks\u00a0them\u00a0up.The original poem in Catalan was published at Dents de polpa, AdiA Edicions, 2015. Crip&nbsp;is sexy I\u00a0don\u2019t\u00a0have\u00a0words\u00a0to describe\u00a0the\u00a0violence\u00a0of a\u00a0body\u00a0so\u00a0naked\u00a0under\u00a0clothes. I imagine\u00a0Frida Kahlo and\u2026<\/p>\n","protected":false},"author":3,"featured_media":9599,"parent":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[201],"tags":[],"segment":[],"subject":[],"class_list":["post-10548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anthology-of-feminist-poetry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maria Sevilla: Articulation of dissidence &#8211; IDEES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistaidees.cat\/en\/maria-sevilla-indecent-la-manera-com\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maria Sevilla: Articulation of dissidence &#8211; IDEES\" \/>\n<meta property=\"og:description\" content=\"&#8220;The (impossible) articulation of dissidence: I think that is the challenge \u2013whether in making somatic utterances or in making verbal utterances\u2013 both for feminism(s) and for the language of poetry. The texts that follow, therefore, are just an attempt (doomed to fail) to capture in writing this sort of limiting instability: always elusive and capricious&#8221;. Land Breeze Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0begging. A\u00a0swig.\u00a0If\u00a0they\u00a0don\u2019t\u00a0dry\u00a0the\u00a0sidewalk.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0feel\u00a0that\u00a0I\u2019m\u00a0not\u00a0me\u00a0ever\u00a0again. As\u00a0though\u00a0you\u00a0and\u00a0your\u00a0shadow, and\u00a0dry\u00a0mouth.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0I\u00a0don\u2019t\u00a0piss\u00a0on\u00a0tiptoes\u00a0in\u00a0the\u00a0toilet.\u00a0It\u00a0splashes\u00a0me. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck. I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry.\u00a0Dawn\u00a0won\u2019t\u00a0arrive\u2026\u00a0It\u00a0won\u2019t\u00a0if\u00a0I\u00a0don\u2019t\u00a0urinate\u00a0and\u00a0if\u00a0I\u2019m\u00a0not\u00a0your\u00a0whore,\u00a0dry\u00a0mouth. And I\u00a0don\u2019t\u00a0want\u00a0to\u00a0get\u00a0dry\u2026\u00a0and I\u00a0don\u2019t\u00a0wash\u00a0myself. I\u00a0don\u2019t\u00a0give\u00a0a\u00a0fuck.\u00a0Sidewalks\u00a0clean\u00a0themselves\u00a0with\u00a0the\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside\u00a0and\u00a0dehydrates.\u00a0It\u00a0dehydrates\u00a0me\u00a0(rancid\u00a0mouth.\u00a0The\u00a0hangover.\u00a0That\u00a0wind\u00a0that\u00a0comes\u00a0from\u00a0inside.\u00a0Arc\u00a0del\u00a0teatre, de\u00a0l\u2019Est,\u00a0Nou\u00a0de la\u00a0Rambla,\u00a0the\u00a0icy\u00a0dust\u00a0cloud.)\u00a0\u00a0And\u00a0the\u00a0footpaths,\u00a0drying.\u00a0And\u00a0the\u00a0alcoholic\u00a0dysphagia\u00a0\u00a0of a\u00a0whore.\u00a0It\u2019s\u00a0me.\u00a0 Who\u00a0knows\u00a0that\u00a0dawn\u00a0won\u2019t\u00a0arrive\u00a0if\u00a0she\u00a0doesn\u2019t\u00a0end\u00a0up in\u00a0the\u00a0Kentucky\u00a0begging. A\u00a0swig.\u00a0Or\u00a0begging\u00a0to be\u00a0the\u00a0meat\u00a0of\u00a0your\u00a0shadow.\u00a0Begging.\u00a0Just\u00a0a\u00a0gesture\u00a0from\u00a0you\u00a0sliding\u00a0on\u00a0an\u00a0ice cube\u00a0or\u00a0a\u00a0rancid\u00a0whisky\u00a0in a\u00a0tube\u00a0glass\u00a0on\u00a0the\u00a0sidewalk.\u00a0Abandoned.\u00a0As\u00a0though\u00a0never, as\u00a0if\u00a0it\u00a0didn\u2019t\u00a0exist.\u00a0Drying\u00a0out\u00a0with\u00a0the\u00a0piss\u00a0that\u00a0reaches\u00a0from\u00a0that\u00a0corner\u00a0where\u00a0there\u00a0are\u00a0twenty\u00a0cents.\u00a0Rejected.\u00a0No\u00a0one\u00a0picks\u00a0them\u00a0up.The original poem in Catalan was published at Dents de polpa, AdiA Edicions, 2015. Crip&nbsp;is sexy I\u00a0don\u2019t\u00a0have\u00a0words\u00a0to describe\u00a0the\u00a0violence\u00a0of a\u00a0body\u00a0so\u00a0naked\u00a0under\u00a0clothes. 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IDEES","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revistaidees.cat\/en\/maria-sevilla-indecent-la-manera-com\/","og_locale":"en_US","og_type":"article","og_title":"Maria Sevilla: Articulation of dissidence &#8211; IDEES","og_description":"&#8220;The (impossible) articulation of dissidence: I think that is the challenge \u2013whether in making somatic utterances or in making verbal utterances\u2013 both for feminism(s) and for the language of poetry. 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A\u00a0swig.\u00a0Or\u00a0begging\u00a0to be\u00a0the\u00a0meat\u00a0of\u00a0your\u00a0shadow.\u00a0Begging.\u00a0Just\u00a0a\u00a0gesture\u00a0from\u00a0you\u00a0sliding\u00a0on\u00a0an\u00a0ice cube\u00a0or\u00a0a\u00a0rancid\u00a0whisky\u00a0in a\u00a0tube\u00a0glass\u00a0on\u00a0the\u00a0sidewalk.\u00a0Abandoned.\u00a0As\u00a0though\u00a0never, as\u00a0if\u00a0it\u00a0didn\u2019t\u00a0exist.\u00a0Drying\u00a0out\u00a0with\u00a0the\u00a0piss\u00a0that\u00a0reaches\u00a0from\u00a0that\u00a0corner\u00a0where\u00a0there\u00a0are\u00a0twenty\u00a0cents.\u00a0Rejected.\u00a0No\u00a0one\u00a0picks\u00a0them\u00a0up.The original poem in Catalan was published at Dents de polpa, AdiA Edicions, 2015. Crip&nbsp;is sexy I\u00a0don\u2019t\u00a0have\u00a0words\u00a0to describe\u00a0the\u00a0violence\u00a0of a\u00a0body\u00a0so\u00a0naked\u00a0under\u00a0clothes. 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