{"id":23225,"date":"2020-10-08T08:42:34","date_gmt":"2020-10-08T08:42:34","guid":{"rendered":"https:\/\/revistaidees.cat\/?p=23225"},"modified":"2020-11-27T13:50:54","modified_gmt":"2020-11-27T13:50:54","slug":"a-scream-as-an-east-wind-artistic-creation-in-the-contemporary-mediterranean","status":"publish","type":"post","link":"https:\/\/revistaidees.cat\/en\/a-scream-as-an-east-wind-artistic-creation-in-the-contemporary-mediterranean\/","title":{"rendered":"A scream like an east wind: artistic creation in the contemporary Mediterranean"},"content":{"rendered":"\n
Som, me dius,
la polseguera d\u2019altres temps:
fetes aix\u00ed, de ponentada,
ben de garb\u00ed, de batre a l\u2019era,
de tela fosca de la nit.

<\/em>By Maria Cabrera Call\u00eds. Extract from \u201cNit mallorquina\u201d, found in La ciutat cansada<\/em>.<\/pre>\n\n\n\n


When we say \u201cculture\u201d and we say \u201cMediterranean\u201d what instantly comes to our minds is a plate on a table, olive oil, a slice of bread, almonds, figs and a glass of wine. And people, family or friends, sharing conversations and time around the table. We also hear some music, probably coming from the closest street or square, and it is a Melody performed by string or percussion instruments. We hear voices, ranging from the Andalusian cante jondo<\/em>, to the reaping tunes from Mallorca, the Corsican and Occitan polyphonies and the Andalusian rhythm that dialogues with the Algerian ra\u00ef<\/em>, which shares the same breath of protest with the rap performed by youngsters in Maghreb. We also hear the compositions of Z\u00fclfu Livanelli, Theodorakis, these great masters that have grown their legacy in our land, as Maria del Mar Bonet, Pep Gimeno \u201cBotifarra\u201d or Biel Majoral have also done. We hear musicians that appeal to the tradition and twist it, such as Joana Gomila, and others that create extraordinary creative dialogues, as El Lebrijano or, once again, Maria del Mar Bonet did back in their days.<\/p>\n\n\n\n
What we aim to do in the IDEES cultural section focused on Mediterranean culture is to step off the known track of cultural synergies and dig into the landscape of contemporary creation in the Mediterranean arena, providing insights of the three major problematic aspects that surround it: the challenge of mobility, artistic creation in contexts of repression and political instability, and the tensions of the new feminist paradigm.<\/p>\n\n\n\n
The goal is to open a wider window that reaches further than the ethnographic and romantic vision of a Mediterranean region that stopped being \u201cours\u201d long ago, and somehow communicate the creative heartbeat and the survival strategies of artists in their diverse creative contexts. All this is done by focusing on non-institutional projects, as especially in the Mediterranean context, it is outside \u201cofficial\u201d spaces that the most genuine initiatives take place.<\/p>\n\n\n\n
The transformative role of culture and creation<\/h5>\n\n\n\n
We think that it is through looking at problems that the transformative role of culture and creation can be better understood and that, therefore, we needed to boost the voice of non-institutionalized actors and discover some independent projects. The price of this freedom when it comes to building a project is the overwhelming fragility of these projects: economic concerns, bureaucratic pressure coming from institutions and, in some cases, the physical integrity of the involved people being put at risk. And we do not think this is only an issue that is exclusive to one of the Mediterranean shores; despite the existing and insufficient supports, in our shore there are several cultural projects that, although small, have had a very deep impact in their context and that, despite contributing to their communities, end up disappearing due to tiredness, institutional abandonment and loneliness.<\/p>\n\n\n\n
Therefore, we do not aim to provide an exhaustive list of creators. Rather, we aim to shed light into the artistic dissidences as spaces of resistance and freedom. From comics to literature, taking into consideration actions performed in public spaces \u2013if this space can still be considered as a space of action\u2013, to the strategies followed when it comes to overcoming the limits of repression and censorship in these Mediterranean cities, effervescent spaces of conflict and cultural exchange. From Egypt, Turkey, Lebanon, France, Morocco, Palestine, Tunisia, Catalonia, we will collect genuine voices and experiences in order to find again, and finally, the value of hospitality and sharing from the tradition of the Muslim rihla<\/em>, the journey as a source of knowledge, as a space of freedom and discovery of oneself. We will thus return, inevitably, to the shattered dream of a sea \u201cof our own\u201d, to that simple table where we sit together with friends and family, sharing and welcoming the foreigner, the other, with our arms wide open.<\/p>\n\n\n\n
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Cultural Exhibit<\/h3>\n\t\t\t\t\t\t\t