{"id":10763,"date":"2020-01-22T15:36:12","date_gmt":"2020-01-22T15:36:12","guid":{"rendered":"https:\/\/revistaidees.cat\/blanca-llum-vidal-embafeu-vos-d-amor\/"},"modified":"2020-03-10T10:56:30","modified_gmt":"2020-03-10T10:56:30","slug":"blanca-llum-vidal-embafeu-vos-d-amor","status":"publish","type":"post","link":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/","title":{"rendered":"Blanca Llum Vidal: empachaos de amor"},"content":{"rendered":"\n<p>\u00abMientras el original hebreo del\u00a0<em>Cantar de los Cantares<\/em>\u00a0es una arroyada de voces que no indica los pronombres \u2018\u00e9l\u2019 y \u2018ella\u2019, las traducciones se han entestado en hacer que este sea un amor a dos bandas, solamente. En <em>Aquest amor que no \u00e9s u<\/em> (<em>Este amor que no es uno<\/em>) intento deshacer la exclusividad entre Salom\u00f3n y Sulamita y poner en el centro la grieta que representa la inclusi\u00f3n de un tercer elemento: la discordancia, la pluralidad, la pol\u00edtica\u00bb.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><br>V<\/h5>\n\n\n\n<pre class=\"wp-block-verse\">He entrado en la Causa de la yedra,\u00a0<br>acuaria\u00a0m\u00eda, centella m\u00eda,\u00a0<br>desportillo la almendra y busco el ung\u00fcento,\u00a0<br>bebo el vino rancio, engullo el pan seco,\u00a0\u00a0<br>digo viva a la gata y leo al maldito.\u00a0<br>\u00a0<br>\u00a0<br>Tocad, compa\u00f1eros, manchad,\u00a0<br>empalagaos de amor y con amor embotaos.\u00a0<br>Se me arrima el sue\u00f1o, la sinestesia despierta:\u00a0<br>la mano de mi amigo como una fiesta azafrana.\u00a0<br>\u00a0<br>\u00a0<br>\u00c1breme, batalla m\u00eda, antigua m\u00eda,\u00a0\u00a0<br>airada m\u00eda, t\u00fa, la liberta,\u00a0<br>que tengo los nombres derramados\u00a0<br>y la tierra dispersa.\u00a0<br>\u00a0<br>\u00a0<br>Huyen los puntos de la recta.\u00a0<br>Las paralelas reculan.\u00a0<br>El cuerpo geom\u00e9trico no ha previsto ni selva ni carcoma\u00a0\u00a0<br>ni contrabando de roc\u00edos.\u00a0<br>\u00a0<br>El amigo es invenci\u00f3n, meridianos, discontinuo.\u00a0\u00a0<br>Toca a la puerta y la quiero a ella tambi\u00e9n.\u00a0<br>\u00a0<br>Me levanto y le abro\u00a0\u00a0<br>y tiene a punto a los perros y le hago entrar por detr\u00e1s.\u00a0<br>\u00a0<br>Animales violentos de una historia feliz\u00a0<br>se revuelcan convulsos.\u00a0<br>\u00a0<br>Quisiera aclararle la idiotez de la hoja,\u00a0<br>que impera la empu\u00f1adura, que es la mano quien siega.\u00a0<br>Quisiera mostrarle la estr\u00eda y\u00a0baratarle\u00a0una mula\u00a0<br>por la conciencia de un\u00a0d\u00edctico,\u00a0<br>pero escoge el camino m\u00e1s recto,\u00a0<br>me desencueva y me desmayo.\u00a0<br>\u00a0<br>Quer\u00eda extra\u00f1arme del cuerpo de la letra,\u00a0<br>de los cuerpos incorpor\u00e1ndose en corro,\u00a0<br>del lobo de la madre, del pulpo que dice \u00abpadre\u00bb.\u00a0<br>Quer\u00eda escaparme y me he topado con los guardias del feudo\u00a0<br>\u2014ladronzuelos de lengua, vestales de vestales, carabineros.\u00a0<br>\u00a0<br>Amigas del mundo, de la frontera,\u00a0<br>si os encontr\u00e1is con la gacela, devolvedle el desierto\u00a0<br>y decidle que es ella\u00a0<br>\u00a0quien multiplica el retiro y la reyerta.\u00a0<br>\u00a0<br>\u00a0<br>\u00bfY qu\u00e9 tiene tu ant\u00edlope\u00a0<br>de charca marinera, vuelta belicosa,\u00a0<br>que tiene la ra\u00edz tan extensa,\u00a0<br>que es mucho m\u00e1s que un amante,\u00a0<br>que con tan poco significa?\u00a0<br>\u00a0<br>Mi amigo hace tri\u00e1ngulo con los dedos\u00a0<br>y me\u00a0atalmuda\u00a0la noche sin rito ni ruego.\u00a0<br>Si su cabeza regresa a la rosa, recupera a nadie.\u00a0<br>En sus rizos, que deb\u00edan remover\u00a0<br>como insolente glicina o como cinco libros primeros,\u00a0<br>yo no estaba \u2014y nac\u00eda.\u00a0<br>Sus ojos son ristra de insomnios\u00a0<br>y, rozando la p\u00e9rdida,\u00a0\u00a0<br>son cristal, son aliento.\u00a0<br>Sus mejillas resisten la culpa\u00a0<br>\u2014la miran de cerca, a su suerte la sueltan.\u00a0<br>Sus labios arrancan los nos de la cruz\u00a0<br>y los alborotan por dentro y los desvainan.\u00a0<br>Sus brazos tiemblan firmes\u00a0<br>cuando hallan el pollo\u00a0picant\u00f3n\u00a0que no encuentra su gallina clueca.\u00a0<br>Que tiene bastante con permitir que lo persigan\u00a0<br>es algo que ha concebido desde el vientre.\u00a0<br>Sus piernas van haciendo:\u00a0\u00a0<br>quien corre es el v\u00e9rtigo.\u00a0\u00a0<br>Aparece si se va\u00a0\u00a0<br>y s\u00f3lo vuelve en gerundio.\u00a0\u00a0<br>Solidaria con el origen incierto,\u00a0\u00a0<br>su boca desanida y desborda.\u00a0\u00a0<br>Porque nada ser\u00e1 nunca nuestro,\u00a0\u00a0<br>dijo el amigo; y me dio nuestro amor,\u00a0\u00a0<br>me dio nuestro amor como un\u00a0g\u00f3lem<br><br><br><em>Traducci\u00f3n de Blanca Llum Vidal<\/em><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>\u00abMientras el original hebreo del\u00a0Cantar de los Cantares\u00a0es una arroyada de voces que no indica los pronombres \u2018\u00e9l\u2019 y \u2018ella\u2019, las traducciones se han entestado en hacer que este sea un amor a dos bandas, solamente. En Aquest amor que no \u00e9s u (Este amor que no es uno) intento deshacer la exclusividad entre Salom\u00f3n y Sulamita y poner en el centro la grieta que representa la inclusi\u00f3n de un tercer elemento: la discordancia, la pluralidad, la pol\u00edtica\u00bb. V He entrado en la Causa de la yedra,\u00a0acuaria\u00a0m\u00eda, centella m\u00eda,\u00a0desportillo la almendra y busco el ung\u00fcento,\u00a0bebo el vino rancio, engullo el\u2026<\/p>\n","protected":false},"author":4,"featured_media":9600,"parent":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[206],"tags":[],"segment":[],"subject":[],"class_list":["post-10763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-antologia-poetica-feminista-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Blanca Llum Vidal: empachaos de amor &#8211; IDEES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blanca Llum Vidal: empachaos de amor &#8211; IDEES\" \/>\n<meta property=\"og:description\" content=\"\u00abMientras el original hebreo del\u00a0Cantar de los Cantares\u00a0es una arroyada de voces que no indica los pronombres \u2018\u00e9l\u2019 y \u2018ella\u2019, las traducciones se han entestado en hacer que este sea un amor a dos bandas, solamente. En Aquest amor que no \u00e9s u (Este amor que no es uno) intento deshacer la exclusividad entre Salom\u00f3n y Sulamita y poner en el centro la grieta que representa la inclusi\u00f3n de un tercer elemento: la discordancia, la pluralidad, la pol\u00edtica\u00bb. V He entrado en la Causa de la yedra,\u00a0acuaria\u00a0m\u00eda, centella m\u00eda,\u00a0desportillo la almendra y busco el ung\u00fcento,\u00a0bebo el vino rancio, engullo el\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/\" \/>\n<meta property=\"og:site_name\" content=\"IDEES\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-22T15:36:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-10T10:56:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marc Lepr\u00eatre Alemany\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marc Lepr\u00eatre Alemany\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/\"},\"author\":{\"name\":\"Marc Lepr\u00eatre Alemany\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/#\\\/schema\\\/person\\\/67ce7ceb3ed5ff46454a93dd00a07c8e\"},\"headline\":\"Blanca Llum Vidal: empachaos de amor\",\"datePublished\":\"2020-01-22T15:36:12+00:00\",\"dateModified\":\"2020-03-10T10:56:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/\"},\"wordCount\":90,\"image\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/revistaidees.cat\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1\",\"articleSection\":[\"Antologia po\u00e9tica feminista\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/\",\"url\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/\",\"name\":\"Blanca Llum Vidal: empachaos de amor &#8211; IDEES\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/revistaidees.cat\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1\",\"datePublished\":\"2020-01-22T15:36:12+00:00\",\"dateModified\":\"2020-03-10T10:56:30+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/#\\\/schema\\\/person\\\/67ce7ceb3ed5ff46454a93dd00a07c8e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/revistaidees.cat\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/revistaidees.cat\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1\",\"width\":2000,\"height\":800,\"caption\":\"Nadia Sanmartin\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/blanca-llum-vidal-embafeu-vos-d-amor\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inici\",\"item\":\"https:\\\/\\\/revistaidees.cat\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Blanca Llum Vidal: empachaos de amor\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/#website\",\"url\":\"https:\\\/\\\/revistaidees.cat\\\/\",\"name\":\"IDEES\",\"description\":\"Revista de temas contempor\u00e1neos\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/revistaidees.cat\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/revistaidees.cat\\\/#\\\/schema\\\/person\\\/67ce7ceb3ed5ff46454a93dd00a07c8e\",\"name\":\"Marc Lepr\u00eatre Alemany\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g\",\"caption\":\"Marc Lepr\u00eatre Alemany\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Blanca Llum Vidal: empachaos de amor &#8211; IDEES","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/","og_locale":"es_ES","og_type":"article","og_title":"Blanca Llum Vidal: empachaos de amor &#8211; IDEES","og_description":"\u00abMientras el original hebreo del\u00a0Cantar de los Cantares\u00a0es una arroyada de voces que no indica los pronombres \u2018\u00e9l\u2019 y \u2018ella\u2019, las traducciones se han entestado en hacer que este sea un amor a dos bandas, solamente. En Aquest amor que no \u00e9s u (Este amor que no es uno) intento deshacer la exclusividad entre Salom\u00f3n y Sulamita y poner en el centro la grieta que representa la inclusi\u00f3n de un tercer elemento: la discordancia, la pluralidad, la pol\u00edtica\u00bb. V He entrado en la Causa de la yedra,\u00a0acuaria\u00a0m\u00eda, centella m\u00eda,\u00a0desportillo la almendra y busco el ung\u00fcento,\u00a0bebo el vino rancio, engullo el\u2026","og_url":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/","og_site_name":"IDEES","article_published_time":"2020-01-22T15:36:12+00:00","article_modified_time":"2020-03-10T10:56:30+00:00","og_image":[{"width":2000,"height":800,"url":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","type":"image\/jpeg"}],"author":"Marc Lepr\u00eatre Alemany","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Marc Lepr\u00eatre Alemany","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#article","isPartOf":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/"},"author":{"name":"Marc Lepr\u00eatre Alemany","@id":"https:\/\/revistaidees.cat\/#\/schema\/person\/67ce7ceb3ed5ff46454a93dd00a07c8e"},"headline":"Blanca Llum Vidal: empachaos de amor","datePublished":"2020-01-22T15:36:12+00:00","dateModified":"2020-03-10T10:56:30+00:00","mainEntityOfPage":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/"},"wordCount":90,"image":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","articleSection":["Antologia po\u00e9tica feminista"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/","url":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/","name":"Blanca Llum Vidal: empachaos de amor &#8211; IDEES","isPartOf":{"@id":"https:\/\/revistaidees.cat\/#website"},"primaryImageOfPage":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#primaryimage"},"image":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","datePublished":"2020-01-22T15:36:12+00:00","dateModified":"2020-03-10T10:56:30+00:00","author":{"@id":"https:\/\/revistaidees.cat\/#\/schema\/person\/67ce7ceb3ed5ff46454a93dd00a07c8e"},"breadcrumb":{"@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#primaryimage","url":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","contentUrl":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","width":2000,"height":800,"caption":"Nadia Sanmartin"},{"@type":"BreadcrumbList","@id":"https:\/\/revistaidees.cat\/es\/blanca-llum-vidal-embafeu-vos-d-amor\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inici","item":"https:\/\/revistaidees.cat\/es\/"},{"@type":"ListItem","position":2,"name":"Blanca Llum Vidal: empachaos de amor"}]},{"@type":"WebSite","@id":"https:\/\/revistaidees.cat\/#website","url":"https:\/\/revistaidees.cat\/","name":"IDEES","description":"Revista de temas contempor\u00e1neos","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revistaidees.cat\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Person","@id":"https:\/\/revistaidees.cat\/#\/schema\/person\/67ce7ceb3ed5ff46454a93dd00a07c8e","name":"Marc Lepr\u00eatre Alemany","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ae102bdf3c42feb0bc391d65fafff20d4aeb124f4d9a2e7361f1dcc95a31751c?s=96&d=mm&r=g","caption":"Marc Lepr\u00eatre Alemany"}}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/revistaidees.cat\/wp-content\/uploads\/2020\/02\/33-Antologia-v1.jpg?fit=2000%2C800&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/posts\/10763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/comments?post=10763"}],"version-history":[{"count":2,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/posts\/10763\/revisions"}],"predecessor-version":[{"id":10768,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/posts\/10763\/revisions\/10768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/media\/9600"}],"wp:attachment":[{"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/media?parent=10763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/categories?post=10763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/tags?post=10763"},{"taxonomy":"segment","embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/segment?post=10763"},{"taxonomy":"subject","embeddable":true,"href":"https:\/\/revistaidees.cat\/es\/wp-json\/wp\/v2\/subject?post=10763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}